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But some of the dark, complex dramas are also some of the best TV shows of all-time or at the very least, of the last decade.

But with so much new programming coming to HBO now that it is streaming via HBO Max not to mention catching up with older seriesexpect the list to keep expanding in the coming months—and check out a list of everything else you can Watch on HBO Max here. Watch on HBO Max. Our tour guide through this dystopian high school landscape is Rue Zendayaa year-old addict with… a nihilist streak?

Euphoria is a confusing show in some ways.

Perhaps most of all, though, watch it for what it suggests about why it nearly always makes sense to be yourself. Even if it sometimes hurts, because of course it will, whoever you are. Like The Wirehis fifth project for the premium cable channel lives at the margins of society, those scraping by to survive or taking advantage of the only opportunities they see.

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A show about sex workers on HBO could easily feel exploitative, but Simon and co-creator George Pelecanos seem more interested in the stories of their characters than titillating their audience. In The Deucethe grimy heart of New York is nonetheless full of humanity. Starring Jemaine Clement and Bret McKenzie, the show is the story of an awful two-man band from New Zealand who have an incompetent manager the wonderful Rhys Darby as Murray Hewitt and literally one fan the hilarious, obsessive Kristen Schaal as they try to make it big in New York. Rhymoceros are two terrific examples of the latter.

This is a show that you sink into, and that sweeps you along in its own relaxed rhythms, dispensing the sort of calm, surprising laughs that feels almost therapeutic. I can pinpoint the exact moment I turned into a massive Danny McBride fan, having ly been confused and annoyed by his presence in Pineapple Express. I was in the wrong, I know. Early in the first season, Kenny Powers downs a beer in his car while listening to his own audiobook.

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Kenny would undergo an absurd odyssey on his path back to fame, but series creator McBride, Jody Hill, and Ben Best would never sacrifice their honest portrait of a man eaten alive by his own ego for the sake of a joke except, of course in that insane episode with Will Ferrell, a Civil War plantation, and a cannon.

The White Lotusfrom Enlightened creator Mike White, tracks the intertwined relationships between groups of wealthy vacationers at the titular Hawaiian resort. With spectacular production de and a magnificent ensemble cast, The White Lotus is a pleasure to watch—even as the miniseries gets progressively darker as Cynical jinx living room weeks go on and seemingly idyllic vacations begin falling apart. Also attempting to cultivate a conversation on class and privilege, The White Lotus explores the often horrific ways ultra-rich patrons treat the working-class staff members they so deeply rely on.

Before alternative comedy was a recognized thing, there was Mr. Show with Bob and Davida genius sketch comedy show that had a criminally short run on HBO from to Each episode was loosely based around a central theme and laboriously structured, with sketches leading directly into each other, and sometimes even wrapping around each other like Russian nesting dolls of comedy.

Although celebrated for its absurd point of view, Mr. Not every bit landed, but the show still had a shockingly high batting average over its four seasons, and very little of it feels dated today. A truly ensemble cast was one of the selling points for the large and ambitious HBO series, which showed that an adult-content drama could still turn great ratings. The fact that it was on a premium network was essential, allowing a much deeper and more realistic depiction of the horrors of incarceration in the United States.

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Few shows acknowledge sweat the way that Sharp Objects does, but it serves to truly drive home the oppressive atmosphere of a small Missouri town where two girls have recently been murdered. Characters pant and swelter and wipe sweat be from their forehe as cicadas hum in the background and everyone judges everyone else. Though the entire miniseries is a creepshow, the final reveal of the killer and the methods by which it all happened which play out in flashback through the closing credits will continue to haunt you long afterwards. Russell T.

But Davies also keeps all of the tech and politics and media of the future feeling grounded in the possible.

Years and Years is arresting television, with an outlandishly oversized score that pulls you in fully to a story with shocking events and the familiar mundanity that follows them. Despite the erosion of freedoms for these formerly comfortable middle-class westerners, it still feels strangely hopefully, and most of all, embraces the idea of resilience even in the face of extraordinary change.

Created by: Danny R. But somehow, it does. The Jinx provides exceptional access into the world of a very strange, troubled, and famous New York figure, Robert Durst, whose hot-mic confession seemingly in the final episode is one of the greatest TV moments ever. But even before that, we get a glimpse into how wealth and privilege serve to protect a man who is very clearly dangerous. And then, of course, there is the uncontrollable burping when discussing certain topics. Tic and his Uncle George Courtney B. Thanks to its perspective, the exploration of wild dreams and strange justifications of an unjust society, as well as the magical bounties residing in its oppressed corners, shines.

Turns out lots of genre tropes become more interesting when the lead looks like someone other than Logan Lerman.

Lovecraft Country does the work, whether through its in-universe interrogation of patriarchal systems inside of inherently racist structures, confrontation of closeted shame and the drag scene, or through utterly bomb needledrops.

Westworld debuted with some big shoes to fill. Its sophomore season then further shook off the shackles of expectation and embraced the characters who against all odds dot its endless mysteries with pockets of genuine depth. Some of the best female performances on TV are lodged inside a show which started so male-gazey, eventually giving viewers a rollicking, if uneven, exploration of these twisted layers within layers the series delights in creating. The Comeback was way ahead of its time.

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Who could have predicted back in how utterly inane reality TV would become? As the once-popular TV actress desperately trying to make a you guessed it comeback, Kudrow is utter perfection. Cast as the unfortunately named Aunt Sassy in the comedy Room and BoredValerie allows the cameras to follow her every move as she re-launches her career.

We feel a great deal of empathy for her as she deals with a dismissive and cruel show runner and a world that has left her behind. The show is a scathing look at how Hollywood operates, how TV shows get made, and how actresses not in their twenties are treated by the youth-obsessed entertainment industry. The best thing is that inThe Comeback made a yeah, you guessed it again comeback and we got eight more episodes to delight in all things Valerie Cherish.

You do need to see that. Watching Luck transports you into a world deeply known by Milch, one that is gritty and tough but also resilient and beautiful.

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While her onscreen proxy is barely holding it together, Rae bears the burden of running Insecure with ease, finding a fresh perspective and flawlessly expanding upon the world of her Internet series with wit and refinement to spare. Easily dismissed as just a Sopranos clone set in the s although gorgeously soBoardwalk Empire wisely took many of the best elements of its predecessor and expanded its scope. And it only improved over time as it became less concerned with the minutiae of New Jersey politics in favor of featuring a much more compelling national landscape.

As a result, both its characters and its stories became grander, more operatic, and expressionistic. There are the quintessential HBO shows that everyone knows and loves, hailed by critics, audiences, and Twitter alike. We felt like we were a part of something special; something off the grid, but better than practically anything on TV. This was especially true for writers, because we really love movies and shows about writers. With some brilliant performances from Danson, Galifianakis and Heather Burns and some great appearances from Patton Oswalt, Jenny Slate, Oliver Platt and countless others Bored to Death gave us an unforgettable, though brief, TV adventure that makes for an excellent binge.

On Tracey Takes Onnow free of broadcast standards and the restrictions of performing for Cynical jinx living room live studio audience, she is able to truly let her freak flag fly. Each episode finds the comedian honing in on a different theme nostalgia, romance, Vegas, etc. Bjornstad is a failing, dilapidated town steeped in Nordic misery, and the hockey team is a perfect reflection of the people: sad, old, and almost hopeless.

There, he can utilize the talents of Kevin Erdahl Oliver Dufakerthe son of his former rival, a prodigious talent who spends hours outside his home on the cold winter nights, slapping puck after puck into a net hung with targets. Through these methods, director Peter Gronlund establishes a wonderful flow that nearly goes unnoticed amid the story and the drama, but that is essential to the world-building which seems to capture a viewer so effortlessly.

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There is no serial killer in Beartownthere is no religious iconography, no mass conspiracy, no last-minute twists to justify hours of uncertainty. This lovely and vivacious series feels like maybe it arrived before its time, but either way it has been too long overlooked. Based on a book series of the same name, The No. The short, gorgeously-shot series which was filmed on location in Botswana is full of charm and laughter, as well as a sweet romantic subplot between Ramotswe and a good-hearted local mechanic.

Despite positive reviews and decent viewership, HBO did not continue with the series after its first season. But for those that know and love it, The No. The Ghanaian-British creator and star explores the pain, confusion, and eventual road to healing regarding the rape experienced by her London-based lead, Arabella. Playing out as a series of vignettes, the season is tied together by a close-knit group of friends who must confront everything from their own biases to sexual crimes perpetrated against them.

The way Terry responds hesitant, uncomfortable, and ultimately rebuffing mirrors in some ways the moments of assault shown in the series. It upsets her but she tries to brush it off, much like everyone else responding to controlling or aggressive behavior.

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All of this adds up to a weighty, ambitious attempt to wade through incredibly difficult subject matter, but one that also seeks to balance with earnest optimism and a desire for healing. There are many, many scenes of the friends just having fun, of getting annoyed with one another, of professing their undying love. Created by: Mark V. The thing about Big Love is that the actual plot never really mattered as much as the relationships among its characters. One man with three wives living in a modern Utah suburb is certainly an interesting premise, but from the start, the show made it about more than just salacious intrigued at polygamy.

Bill Paxton was also at his most charming in this series, and he is missed. It introduced a strange and often difficult world, but managed to make it feel like home. It was literally a decade before its time, prefiguring shows like The Office and Arrested Development with its lack of a laugh track, a single camera setup, and a roster of unlikable characters. It blurred the line between reality and TV show, with real-life actors playing themselves on the talk show within the show, and often sending Cynical jinx living room their public personas.

It also featured three unforgettable performances from Garry Shandling, Jeffrey Tambor and Rip Torn, who were all as good at revealing the desperation and futility of their characters as they were in the comedic moments. Despite its inside showbiz setup and caustic humor, its characters were fully-formed, believable people. It was a very smart and human show.

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